SHOWS
JAN 7, 2012
"PLUCK" (with the Moving Architects)
APAP 2012, Dance New Amsterdam, 280 Broadway NYC
5:30pm, free - please RSVP
FEB 3-4, 2012
"Signal Box" (with Hayley Sunshine) & "Prosthesis"
Language to Cover a Wall, Electronic Poetry Center, UB Buffalo NY
Dance show: Feb 3, 7:30 & 9pm, $10 door;
Reading: 7:30pm, free
FEB 10-12, 2012
Excerpts from "Prosthesis" and "Public Cloud"
Interrupt II, Brown University, Providence RI
APR 19-21, 2012
Excerpts from "Prosthesis" and "Public Cloud"
Network Archaeology, Miami University, Oxford OH
APR 28, 2012
"Prosthesis" in ITINERANT Performance Art Festival
Floor4Art, Manhattan NYC
MAY 5, 2012
"Prosthesis" in ITINERANT Performance Art Festival
Newhouse Center for Contemporary Art, Staten Island NYC
MAY 2-6, 2012
Assisting with Ultra-red's "What is the sound of freedom?" at the Whitney Biennial
Whitney Museum, NYC
JUN 20-23, 2012
"Prosthesis" performance and "Future of ELO" panel
ELO 2012, Morgantown WV
THE FORTHCOMING PUBLIC CLOUD IAAS MAGIC QUADRANT TENANCY
(you can fuel this by sponsoring this activity in a hosted private cloud or within your public cloud tenancy)
This new public cloud covers a subset of the market covered by the existing cloud. Please consult cloud market segmentation to understand the segments covered. The existing covers the traditional market (with an emphasis on managed complexity), along with all eight of the cloud market segments. It covers both public and private cloud.
This new offering covers multi-tenant clouds. It has a strong emphasis on automated services, with a focus on the scale-out cloud hosting, virtual lab environment, self-managed virtual data center, and turnkey virtual data center segments. The existing weights managed services very highly. By contrast, the new emphasizes automation and self-service. When we say "public cloud", we mean massive multi-tenancy. This means that the service provider operates, in his or her data center, a pool of virtualized capacity in which multiple arbitrary users will have virtual machines on the same physical server. None need have any idea with whom he or she is sharing this pool of capacity. This does not include any of the cloud-enablement vendors nor does it include any of the vendors in the ecosystem.
We expect to weight the scoring heavily towards the requirements of those who need a dependable cloud, but we also recognize the value of commodity cloud to our audience, for certain use cases. We did zero pre-qualification; if you asked for it, you got it. This is a data-gathering exercise. We do not release the qualification criteria in advance of the formal invitations; please do not ask.
PROSTHESIS
Prosthesis is a suite of live vocal poems in proximity to technology, cognition, and media, exploring digitization of personal memory & language. It includes readings augmented by projections and recorded voice, and concludes with a song.
| 4.22.11 | Brown University, Providence RI |
| 5.21.11 | E-Poetry Festival, Buffalo NY |
| 10.13.11 | &Now Festival, San Diego CA |
| 2.4.12 | Language to Cover a Wall, Buffalo NY |
| 4.21.12 | Network Archaeology, Miami University, Oxford OH |
| 4.28.12 | ITINERANT Festival, Manhattan NYC |
| 5.5.12 | ITINERANT Festival, Staten Island NYC |
OPENING SOURCES
Opening Sources is a poem continuously written by anonymous online authors.
In live performance, the poem is projected on a screen and the audience is invited to edit the text while the reading is underway. A loop of feedback forms as the audience takes uncertain control over its collective voice.
| 4.12.08 | SAIC, Chicago IL |
| 5.13.08 | document.write, Chicago |
| 9.13.08 | E-lit in Europe, Bergen, Norway |
| 10.18.08 | Interrupt Festival, Providence RI |
| 12.3.08 | SAIC, Chicago |
| 2.22.09 | Heaven Gallery, Chicago |
| 3.13.09 | Center for New Possibilities, Chicago |
| 12.3.09 | Online via Streamflow Conditions |
Web: [ Launch ]
SACRED SPACES
Recorded score for a 2010 piece with the Moving Architects, consisting of noise, drums, stethoscopes, electric piano, weather, voice, and samples (see below).
Video excerpts: [link]
| 01 Beating ∴ |
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06 Tachycardia |
play |
| 02 Training Camp ∴ |
|
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07 Inner Harbor |
play |
| 03 Footpath ∠ |
play |
|
08 War Machines |
play |
| 04 Building Storm ⊥ |
|
|
09 Dawn Prayer |
play |
| 05 Summoning ≈ |
|
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10 Breathing ∴ |
|
|
| Download full score: |
[zip] |
∴ Remixes of "Sun" by the Microphones
∠ Featuring samples of "Agate" by Coppice
⊥ Featuring samples of "Ragout: Küchen Rezpt Von Einstürzende Neubaten" by Einstürzende Neubauten
≈ Remix of "Cinq Etudes De Bruits: Etude Violette" by Pierre Schaeffer
STOPS ON THE LINE
This 2009 show with the Moving Architects was scored with 48 minutes of solo accompaniment, performed live on acoustic guitar, melodica, and glockenspiel.
Recording and studio flute parts by John Goldman.
| 01 Signals |
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07 Bookfoot |
| 02 Approach Track |
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08 The Station |
| 03 Lights |
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09 Alignment | play |
| 04 Farewell |
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10 Dual Farewell | play |
| 05 Outward Bound |
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11 Last Lights | play |
| 06 Morning | |
|
| Download full score: |
[zip] |
THIS SANDY CUBE
A short solo acoustic score for the Moving Architects (2008).
| 01 Cubic Clock |
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| 02 Caravan (Mirage) |
|
| 03 Learning to Ride |
play |
| 04 Pyramid |
play |
|
| Download full score: |
[zip] |
ON FALLING... THEMES AND VARIATIONS
Music for a film by Nadia Oussenko. Recorded in part at the 2009 Harold Arts residency in Chesterhill OH.
| 01 On the Ropes |
play |
| 02 The Bridge |
| 03 Fall Hill |
|
| 04 Winter Hill |
play |
| 05 Night Beach |
play |
| 06 Moonchords |
BIO / CV
And and and at body, brown, code, hatcher he his ian in internet, involving lives music, nyc. Now on other people. Projects saic sound, studied text, the works
[ CV (PDF) ]
TEACHING
In Fall 2010 and Spring 2011, I taught "Electronic Writing II" at Brown University.
Syllabus: [ LITR 0210D ]
